Wolfgang Amadeus Mozart | The great silence
Musikalische Leitung
Omer Meir Wellber
Musical Direction
Omer Meir Wellber has established himself as one of our generation’s leading conductors of operatic and orchestral repertoire alike. He is Music Director of the Teatro Massimo Palermo and from a long association, he is also Music Director of the Raanana Symphonette in Israel. He begins his tenure of General Music Director of the Hamburg State Opera as well as Chief Conductor of the Philharmonic State Orchestra Hamburg in the season 2025/2026. Omer Meir Wellber regularly conducts the Gewandhausorchester zu Leipzig, the NDR Elbphilharmonie Orchester, the Swedish Radio Symphony Orchestra, the London Philharmonic Orchestra, the Orchestra del Teatro dell'Opera di Roma, the City of Birmingham Symphony Orchestra, the Staatskapelle Dresden, the Deutsche Kammerphilharmonie Bremen, the Israel Philharmonic Orchestra, the Vienna Symphony Orchestra, the Rundfunk-Sinfonieorchester Berlin and the Tonhalle-Orchester Zürich, among others.
For the Teatro Massimo’s new season in Palermo, Omer Meir Wellber presented Bellini’s opera I Capuleti e i Montecchi in a production by Idan Cohen and he conducted Wagner's opera Tristan und Isolde directed by Daniele Menghini. Highlights of recent seasons include new productions of Kaiserrequiem – his own creation with director Marco Gandini, which brings together Viktor Ullman's Der Kaiser von Atlantis with Mozart's Requiem –, Verdi's Les Vêpres siciliennes in a production by Emma Dante and Wagner's Parsifal in a production by Graham Vick. His innovative work at Teatro Massimo, including the January 2021 production Crepuscolo dei sogni, earned him the 2021 Special Award from Italy's Associazione Nazionale Critici Musicali (National Association of Music Critics).
During his time as Music Director of the Volksoper Vienna, which ended in December 2023 at his own request, Omer Meir Wellber conducted Tchaikovsky's Jolanthe and The Nutcracker, a new creation directed by Lotte de Beer and numerous revivals, such as La Traviata, Mozart's Zauberflöte and Richard Strauss' Salome (in a recreation of Luc Bondy's timeless 1992 production). Under the direction of Omer Meir Wellber, the Volksopernorchester has also made guest appearances at the Schleswig-Holstein Music Festival, Schloss Esterházy in Eisenstadt and increased its presence in Vienna at the Wiener Konzerthaus with a performance of Verdi's Messa da Requiem, among others. He will continue his relationship with the Volksoper Vienna in 2024/25 where he will conduct his two initially planned new productions: Ella Milch-Sheriff's commissioned composition, her new opera “Alma”, and his creation of the Kaiserrequiem with the Vienna State Ballet, directed and choreographed by Andreas Heise.
Guest performances in the 2023/24 season will see Omer Meir Wellber travel to Bremen with the Deutsche Kammerphilharmonie Bremen, to Rome with the Rome Symphony Orchestra, to Leipzig with the Gewandhausorchester, to Prague with the Prague Radio Symphony Orchestra, to Asia (Japan, Korea, Taiwan) with the Wiener Symphoniker, to Paris with the Orchestre National de France and to Hamburg with the NDR Elbphilharmonie Orchestra.
As Omer Meir Wellber was Music Director of the 2023 Toscanini Festival in Parma, Wellber presented a mixture of symphonic and chamber music concerts and took the Filarmonica Arturo Toscanini to the Dresdner Musikfestspiele. During the first edition of the festival held in 2022, Wellber conducted a concert version of Puccini's rarely performed opera Les Willis.
Named portrait artist of the Schleswig-Holstein Music Festival in 2022, Omer Meir Wellber appeared on the conductor’s podium and also played accordion, harpsichord and grand piano. Wellber presented 14 varied and unique concerts under the motto “Friendship”. In addition to classical orchestral concerts with the Festival Orchestra of the SHMF and the BBC Philharmonic, the program included chamber music and chanson evenings as well as a four-hand piano recital. True to the theme of “Friendship”, Omer Meir Wellber performed together with mandolinist Jacob Reuven, pianists Fazil Say and Daniel Ciobanu, violinist Veronica Eberle and clarinettist Alessio Vicario, among others.
The most recent CD recordings with Omer Meir Wellber were released in May 2022: The Mandolin Seasons with Jacob Reuven and the Sinfonietta Leipzig (musicians of the Leipzig Gewandhaus Orchestra) on the Hyperion label and Pop Songs with cellist Jan Vogler and the BBC Philharmonic on the Sony label. Previous releases include the first joint recording by Wellber and the BBC Philharmonic of works by Ben-Haim (Chandos), Tavener's No longer mourn for me with Steven Isserlis and the Philarmonia Orchestra (Hyperion), and DVD releases of Wagner's Parsifal (Unitel/C Major), Bellini's I Capuleti e i Montecchi (Naxos), Puccuni's Madama Butterfly (Opus Arte), Boito's Mefistofele (Unitel), Verdi's Aida (Bel Air Classique), and Tchaikovsky's Eugene Onegin (Unitel).
Omer Meir Wellber made his literary debut with his first novel "Die vier Ohnmachten des Chaim Birkner", published by Berlin Verlag in autumn 2019. Originally written in Hebrew, the novel was published in Wellber’s native tongue by Keren (“ארבע פעמים התעלף חיים בירקנר”) in July 2023. Its critical acclaim has also seen the book’s publication in Italian by Sellerio Editore (2021), and in French by Éditions du sous-sol (2022). The novel tells the story of Chaim Birkner, a tired and broken man who is forced by his daughter to face life one last time.
"Die Angst, das Risiko und die Liebe - Momente mit Mozart" – the conductor’s first book – was published in spring 2017. Co-written with German author and journalist Inge Kloepfer, the book shares his personal understanding of the universal emotions addressed in the three Mozart/Da Ponte operas - Così fan tutte, Le nozze di Figaro and Don Giovanni, establishing him as a great voice of classical music.
Omer Meir Wellber has made several debuts in recent years: In 2023 with the Boston Symphony Orchestra and the Prague Radio Symphony Orchestra, among others. In August 2021, Wellber made his debut at the Bregenz Festival with works by Ives and Bruckner and Strauss's Concerto for Oboe and Orchestra with Ramón Ortega Quero (oboe) and the Wiener Symphoniker. He made his debut with the Munich Philharmonic in November 2019 with the world premiere of Ayal Adler, with the BBC Philharmonic with works by Mozart, Haydn, and Ben-Haim at the BBC Proms in July 2019, and at the Metropolitan Opera in New York with performances of Bizet's Carmen in October 2018. In summer 2018, he conducted the festival premiere of Puccini's Madama Butterfly (BlueRay Opus Arte, 2019) at the Glyndebourne Festival, where he debuted in 2014 with the London Philharmonic Orchestra's production of Eugene Onegin. In March 2017, he conducted the premiere of Giordano's Andrea Chenier at the Bavarian State Opera, where he had already conducted the new production of Mefistofele in 2015 (DVD Unitel, 2016). In November 2016, he conducted the Sächsische Staatskapelle Dresden in the world premiere of Sofia Gubaidulina's oratorio On Love and Hate.
Omer Meir Wellber's longstanding collaboration with the Semperoper Dresden culminated in his position as Principal Guest Conductor from 2018 to 2022, alongside his receipt of the Rudi Häussler Priz for contributions to the development of the opera house. As early as 2010 he conducted new productions and revivals of Aida, Ariadne auf Naxos, Daphne, the Da Ponte Trilogy, The Magic Flute, Grand Macabre, Guntram, Madama Butterfly, Nabucco, Rosenkavalier, Salome, and Tannhäuser. Symphony concerts with the Sächsische Staatskapelle were also part of the program.
During his time as Chief Conductor of the BBC Philharmonic, Omer Meir Wellber achieved highlights such as concerts at the BBC Proms, Bridgewater Hall, and guest concerts at the Schleswig-Holstein Music Festival. Wellber also hosted a conversation video series with the BBC named The Music Room: the first series focused on Beethoven’s 9 symphonies in 2020, before turning to Ben-Haim for a second installment (The Music Room: Discovering Ben-Haim).
Omer Meir Wellber served as the Music Director at the Palau de les Arts Reina Sofia in Valencia from 2010 to 2014, leading both orchestral and operatic performances – one of the most remarkable, Eugene Onegin, was published on DVD by C Major. He conducted Verdi’s operatic masterpiece trifecta – Rigoletto (2011), La Traviata (2012) and Il Trovatore (2013) at the Vienna Festival.
From 2008 to 2010, Omer Meir Wellber assisted Daniel Barenboim at the Berliner Staatsoper Unter den Linden and at Milan’s Teatro alla Scala, directing the Scala in a critically hailed performance of Verdi’s Aida at the Israeli Opera. In 2010, he also stepped in for Seiji Ozawa, conducting Strauss’ Salome at the Saito Kinen Festival in Matsumoto.
Omer Meir Wellber’s close ties to his native Israel are evident in his collaboration with the Raanana Symphonette Orchestra, of which he has been Music Director since 2009. The orchestra dedicates itself to developing traditions of Jewish music, promoting contemporary Israeli music, and curating music education projects which reach more than 70,000 children each year. For over a decade he was regular guest conductor at the Israeli Opera where he conducted performances of Verdi’s La Forza del Destino, Puccini’s Turandot and Madama Butterfly, Donizetti’s L’Elisir d’Amore, Mozart’s The Magic Flute, Gounod’s Faust and Janacek’s The Cunning Little Vixen, among others. In 2007 he debuted with the Israel Philharmonic Orchestra and in 2016 led the orchestra in its residency at the Dresden Music Festival.
The conductor is a Good Will Ambassador for Save a Child’s Heart, an Israeli-based non-profit organization that provides critical cardiac medical healthcare. In addition, Omer Meir Wellber collaborates with various institutions through outreach programs and fosters the next generation of conducting students through educational lectures.
Born in Be’er Sheva in 1981, Omer Meir Wellber began studying the accordion and piano when he was five years old. He took composition lessons with Tania Taler from the age of nine before continuing under Michael Wolpe until 2004. After graduating from the Be’er Sheva Conservatory in 1999, he received a music scholarship from the America-Israel Cultural Foundation which he used to study Conducting and Composition at the Jerusalem Music Academy from 2000-2008 with Eugene Zirlin and Mendi Rodan.
Omer Meir Wellber plays a custom-built accordion, model POLARIS, from the renowned Italian accordion manufacturer PIGINI.
Omer Meir Wellber is dressed by Giorgio Armani and Bulgari.
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photo: (c) Hilde van Mas
Chorleitung
Alice Meregaglia
Choir direction
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Sopran
Ana Durlovski
Soprano
Birthplace:
Štip, Macedonia
Studies:
Academy of Music, University of Skopje (1997-2001)
Prizes:
Croatian cultural award "Marijana Radev" 2006
German Theater Award DER FAUST as best female singer in musical theater (Amina La Sonnambula) 2012
Best young singer in the survey of the magazine "Opernwelt" for the same role
Important parts:
Lucia (Lucia di Lammermoor), Sophie (Der Rosenkavalier), Musetta (La bohème), Manon (Manon), Morgana (Alcina), Alcina (Alcina), Folie (Platée), Donna Anna (Don Giovanni), Soeur Constance (Dialogues des Carmélites), Zerbinetta (Ariadne), Violetta (La traviata), Olympia (Les Contes d' Hoffmann), Elvira (I puritani), Norina (Don Pasquale), Marguerite (Les Huguenots), Waldvogel (Siegfried), et al.
Stages:
Makedonska Opera, Vienna State Opera, Berlin State Opera, Bavarian State Opera Munich, Deutsche Oper Berlin, Staatstheater Mainz, Stuttgart State Opera, Teatro Real Madrid, Metropolitan Opera New York, Semperoper Dresden, Bregenz Festival, Bayreuth Festival, Opéra national du Rhin, Cologne Opera, et al.
Cooperations with directors:
Jossi Wieler/Sergio Morabito, Nadja Loschky, Peter Konwitschny, David Pountney, Christoph Marthaler, Frank Castorf, Stefan Herheim, et al.
Cooperations with conductors:
Sir Simon Rattle, Marc Minkowski, Marek Janowski, Gabriele Ferro, Ivor Bolton, Sylvain Cambreling, Dan Ettinger, Tomáš Hanus, Patrick Summers, Michael Schønwandt, et al.
photo: Martin Sigmund
Tenor
Gregory Kunde
Tenor
Birthplace:
Illinois, USA
Studies:
Choral conducting and Vocal performance at Illinois State University
Prizes:
‘Male Singer of the Year’ at the 2016 International Opera Awards
Important parts:
Otello (Otello), Radamès (Aida), Calaf (Turandot), Jean de Leyden (Le prophète), Don Carlo (Don Carlos), Samson (Samson et Delila), Don José (Carmen), Andrea Chénier (Andrea Chénier), Renato des Grieux (Manon Lescaut), Don Alvaro (La forza del destino), Peter Grimes (Peter Grimes), Pollione (Norma), Aschenbach (Death in Venice), Cellini (Benvenuto Cellini), Faust (La damnation de Faust), Enée (Les Troyens), Captain Vere (Billy Budd), Poliuto (Poliuto), Roberto Devereux (Roberto Devereux), Alceste (Admète), Faust (Faust), La Juíve (Eléazar), Des Grieux (Manon), Werther (Werther), Raoul (Les Huguenots), Robert (Robert le diable), Tito Vespasiano (La clemenza di Tito), Idomeneo (Idomeneo), Cavaradossi (Tosca), Dick Johnson (La fanciulla del West), Pinkerton (Madama Butterfly), Rodrigo (La donna del lago), Leicester (Elizabetta, Regina d'Inghilterra), Pirro (Ermione), Arnold (Guillaume Tell), Argirio (Tancredi), Antenore (Zelmira), Riccardo/Gustav V (Un ballo in Maschera), Rodolfo (Luisa Miller), Manrico (Il Trovatore), Arrigo (I vespiri Siciliani), Henrí (Les vêpres Siciliennes), Florestan (Fidelio), Canio (Pagliacci), Luigi (Il Tabarro), Bacchus (Ariadne auf Naxos)
Stages:
Grand Teatre del Liceu, Teatro Comunale di Bologna, Staatsoper Hamburg, LA Opera, Royal Opera House, Covent Garden, Deutsche Oper Berlin, Opéra Royal de Wallonie-Liège, Metropolitan Opera, Opéra national de Paris, Opéra de Monte-Carlo, Wiener Staatsoper, Teatro Real, Dallas Opera, Semperoper Dresden, Palau de les Arts Reina Sofia, Valencia, Teatro La Fenice, BBC Proms, Cincinnati May Festival, Concertgebouw Amsterdam
Cooperations with directors:
Mario Pontiggia, William Friedkin, Davide Garattini Raimondi, Olivier Py, Willy Decker, Uwe Eric Laufenberg, Hugo De Ana, Keith Warner, Emilio López, Davide Livermore, Franco Zeffirelli, Bepi Morassi, Chiara Muti, Darko Tresnjak, Robert Wilson, Otto Schenk, Alfonso Romero Mora, Edward Berkeley, Andrei Serban, Allex Aguilera, Fabio Cherstich, Nicolas Joël, Amélie Niermeyer, Julia Burbach, Franc Aleu, Susana Gómez, Paco Azorín, Stefano Mazzonis di Pralafera
Cooperations with conductors:
Zubin Mehta, Sir Antonio Pappano, Charles Dutoit, Ramón Tebar, Gianandrea Noseda, Massimo Zanetti, Enrique Mazzola, Daniele Callegari, Christopher Franklin, Daniela Musca, Nicola Luisotti, Mark Wigglesworth, Pietro Rizzo, Emmanuel Villaume, Jordi Bernàcer, Daniel Oren, Andrea Battistoni, Francesco Ivan Ciampa, Sesto Quatrini, Donato Renzetti, Mark Elder, Frédéric Chaslin, Marco Armiliato, Miquel Ortega, Bertrand de Billy, Valerio Galli, Sergio Alapont, Adam Fischer, Josep Pons, Jacques Lacombe, Paolo Arrivabeni
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photo: Sim Canetty-Clarke
Sopran
Marie Maidowski
Soprano
Birthplace:
Berlin, Germany
Studies:
Bachelor in singing and music theater with KS Prof. Julie Kaufmann at the Berlin University of the Arts Master in concert singing with KS Prof. Christiane Iven at the University of Music and Performing Arts Munich
Master class:
19th Lotte Lehmann Week in Perleberg (2016)
Masterclass with Prof. Marga Schiml in Switzerland (2019)
Masterclass with Prof. Gabriele Lechner in Baden near Vienna (2020)
Prizes:
Scholarship from the Young Musicians Foundation in Mühlheim (2018) Scholarship from the Cusanuswerk study grant (since 2020) Finalist at the German National Singing Competition in the Junior Competition category (2020) Scholarship from the German Stage Association (2023) Staetshuys Fund Prize and Van Amelsvoort Prize for the best interpretation of a work by a female composer at the International Vocal Competition 2023 in `s Hertogenbosch with Lied Duo partner YoungSeob Jeon
Audience and jury prize at the HIDALGO Song Prize 2023 with Lied Duo partner YoungSeob Jeon
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera from the 2024/25 season
Important parts:
Susanna (The Marriage of Figaro), Nurse (Alzheim), Barbarina (Le nozze di Figaro), Silvia (L'isola disabitata), Lovis (Der Baumgeist), Papagena (Die Zauberflöte), Daphne Colgate (Georgia Bottoms), et al.
Stages:
Staatstheater Cottbus, Philharmonie Luxembourg, Cuvilliéstheater Munich, et al.
Cooperation with directors:
Frank Hilbrich, Bernarda Horres, Tomo Sugao, Maximilian Berling, Isabel Hindersin, et al.
Cooperation with conductors:
Errico Fresis, Johannes Zurl, Johanna Soller, Aris Blettenberg, Henri Bonamy, Gad Kadosh, et al.
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photo: Jörn Kipping
Schauspieler
Damian Rebgetz
Bassbariton
Hubert Kowalczyk
Bass
Birthplace:
Radom, Poland
Studies:
Hanns Eisler School of Music Berlin with Prof. Martin Bruns and Prof. Dr. Michail Lanskoi; Istituto Superiore di Studi Musicali "Pietro Mascagni" in Livorno with Prof. Graziano Polidori; Young Talents Development Program - Opera Academy in Warsaw
Master class:
Lioba Braun, Helmut Deutsch, Brigitte Fassbaender, Tomasz Konieczny, Bogdan Makal, Olga Pasiecznik, Eytan Pessen, Rudolf Piernay, Matthias Rexroth, Harald Stamm, et al.
Important parts:
Bartolo (Le nozze di Figaro), Collatinus (The Rape of Lucretia), Colline (La Bohème), Crespel (Les Contes d'Hoffmann), Haly (L'italiana in Algeri), Nourabad (Les Pêcheurs de perles), Oroveso (Norma), Pistola (Falstaff), Sarastro (Die Zauberflöte), Zuniga (Carmen), et al.
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2021/22 season
Member of the International Opera Studio of the Hamburg State Opera from 2019/20 to 2021/22
Stages:
Staatsoper Unter den Linden, Zurich Opera House, Bregenz Festival, Deutsche Oper Berlin, Teatr Wielki - Opera Narodowa, Opera Rara Festival in Krakow, et al.
Cooperation with directors:
Calixto Bieito, David Bösch, Frank Castorf, Petra Deidda, Brigitte Fassbaender, Herbert Fritsch, Alexander Riemenschneider, Dmitri Tcherniakov, et al.
Cooperation with conductors:
Matteo Beltrami, Bertrand de Billy, Giampaolo Bisanti, Jonathan Brandani, Daniele Callegari, Paolo Carignani, Nicholas Carter, Vladimir Conta, Axel Kober, Volker Krafft, Carlo Montanaro, Pier Giorgio Morandi, Kent Nagano, Ivan Repušić, Sébastien Rouland, Robin Ticciati, Keri-Lynn Wilson, Lidiya Yankovskaya, et al.
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photo: Martina Cyman
Chor
Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
photo: Niklas Marc Heinecke
Orchester
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
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photo: Foto: Felix Broede
