Wed, Dec. 31, 2025, 11.00 am | Elbphilharmonie, Grand Hall
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Dirigent: Omer Meir Wellber
Sopran: Hila Baggio
Philharmonisches Staatsorchester Hamburg
Omer Meir Wellber has established himself as one of our generation’s leading conductors of operatic and orchestral repertoire alike. He is Music Director of the Teatro Massimo Palermo and from a long association, he is also Music Director of the Raanana Symphonette in Israel. He begins his tenure of General Music Director of the Hamburg State Opera as well as Chief Conductor of the Philharmonic State Orchestra Hamburg in the season 2025/2026. Omer Meir Wellber regularly conducts the Gewandhausorchester zu Leipzig, the NDR Elbphilharmonie Orchester, the Swedish Radio Symphony Orchestra, the London Philharmonic Orchestra, the Orchestra del Teatro dell'Opera di Roma, the City of Birmingham Symphony Orchestra, the Staatskapelle Dresden, the Deutsche Kammerphilharmonie Bremen, the Israel Philharmonic Orchestra, the Vienna Symphony Orchestra, the Rundfunk-Sinfonieorchester Berlin and the Tonhalle-Orchester Zürich, among others.
For the Teatro Massimo’s new season in Palermo, Omer Meir Wellber presented Bellini’s opera I Capuleti e i Montecchi in a production by Idan Cohen and he conducted Wagner's opera Tristan und Isolde directed by Daniele Menghini. Highlights of recent seasons include new productions of Kaiserrequiem – his own creation with director Marco Gandini, which brings together Viktor Ullman's Der Kaiser von Atlantis with Mozart's Requiem –, Verdi's Les Vêpres siciliennes in a production by Emma Dante and Wagner's Parsifal in a production by Graham Vick. His innovative work at Teatro Massimo, including the January 2021 production Crepuscolo dei sogni, earned him the 2021 Special Award from Italy's Associazione Nazionale Critici Musicali (National Association of Music Critics).
During his time as Music Director of the Volksoper Vienna, which ended in December 2023 at his own request, Omer Meir Wellber conducted Tchaikovsky's Jolanthe and The Nutcracker, a new creation directed by Lotte de Beer and numerous revivals, such as La Traviata, Mozart's Zauberflöte and Richard Strauss' Salome (in a recreation of Luc Bondy's timeless 1992 production). Under the direction of Omer Meir Wellber, the Volksopernorchester has also made guest appearances at the Schleswig-Holstein Music Festival, Schloss Esterházy in Eisenstadt and increased its presence in Vienna at the Wiener Konzerthaus with a performance of Verdi's Messa da Requiem, among others. He will continue his relationship with the Volksoper Vienna in 2024/25 where he will conduct his two initially planned new productions: Ella Milch-Sheriff's commissioned composition, her new opera “Alma”, and his creation of the Kaiserrequiem with the Vienna State Ballet, directed and choreographed by Andreas Heise.
Guest performances in the 2023/24 season will see Omer Meir Wellber travel to Bremen with the Deutsche Kammerphilharmonie Bremen, to Rome with the Rome Symphony Orchestra, to Leipzig with the Gewandhausorchester, to Prague with the Prague Radio Symphony Orchestra, to Asia (Japan, Korea, Taiwan) with the Wiener Symphoniker, to Paris with the Orchestre National de France and to Hamburg with the NDR Elbphilharmonie Orchestra.
As Omer Meir Wellber was Music Director of the 2023 Toscanini Festival in Parma, Wellber presented a mixture of symphonic and chamber music concerts and took the Filarmonica Arturo Toscanini to the Dresdner Musikfestspiele. During the first edition of the festival held in 2022, Wellber conducted a concert version of Puccini's rarely performed opera Les Willis.
Named portrait artist of the Schleswig-Holstein Music Festival in 2022, Omer Meir Wellber appeared on the conductor’s podium and also played accordion, harpsichord and grand piano. Wellber presented 14 varied and unique concerts under the motto “Friendship”. In addition to classical orchestral concerts with the Festival Orchestra of the SHMF and the BBC Philharmonic, the program included chamber music and chanson evenings as well as a four-hand piano recital. True to the theme of “Friendship”, Omer Meir Wellber performed together with mandolinist Jacob Reuven, pianists Fazil Say and Daniel Ciobanu, violinist Veronica Eberle and clarinettist Alessio Vicario, among others.
The most recent CD recordings with Omer Meir Wellber were released in May 2022: The Mandolin Seasons with Jacob Reuven and the Sinfonietta Leipzig (musicians of the Leipzig Gewandhaus Orchestra) on the Hyperion label and Pop Songs with cellist Jan Vogler and the BBC Philharmonic on the Sony label. Previous releases include the first joint recording by Wellber and the BBC Philharmonic of works by Ben-Haim (Chandos), Tavener's No longer mourn for me with Steven Isserlis and the Philarmonia Orchestra (Hyperion), and DVD releases of Wagner's Parsifal (Unitel/C Major), Bellini's I Capuleti e i Montecchi (Naxos), Puccuni's Madama Butterfly (Opus Arte), Boito's Mefistofele (Unitel), Verdi's Aida (Bel Air Classique), and Tchaikovsky's Eugene Onegin (Unitel).
Omer Meir Wellber made his literary debut with his first novel "Die vier Ohnmachten des Chaim Birkner", published by Berlin Verlag in autumn 2019. Originally written in Hebrew, the novel was published in Wellber’s native tongue by Keren (“ארבע פעמים התעלף חיים בירקנר”) in July 2023. Its critical acclaim has also seen the book’s publication in Italian by Sellerio Editore (2021), and in French by Éditions du sous-sol (2022). The novel tells the story of Chaim Birkner, a tired and broken man who is forced by his daughter to face life one last time.
"Die Angst, das Risiko und die Liebe - Momente mit Mozart" – the conductor’s first book – was published in spring 2017. Co-written with German author and journalist Inge Kloepfer, the book shares his personal understanding of the universal emotions addressed in the three Mozart/Da Ponte operas - Così fan tutte, Le nozze di Figaro and Don Giovanni, establishing him as a great voice of classical music.
Omer Meir Wellber has made several debuts in recent years: In 2023 with the Boston Symphony Orchestra and the Prague Radio Symphony Orchestra, among others. In August 2021, Wellber made his debut at the Bregenz Festival with works by Ives and Bruckner and Strauss's Concerto for Oboe and Orchestra with Ramón Ortega Quero (oboe) and the Wiener Symphoniker. He made his debut with the Munich Philharmonic in November 2019 with the world premiere of Ayal Adler, with the BBC Philharmonic with works by Mozart, Haydn, and Ben-Haim at the BBC Proms in July 2019, and at the Metropolitan Opera in New York with performances of Bizet's Carmen in October 2018. In summer 2018, he conducted the festival premiere of Puccini's Madama Butterfly (BlueRay Opus Arte, 2019) at the Glyndebourne Festival, where he debuted in 2014 with the London Philharmonic Orchestra's production of Eugene Onegin. In March 2017, he conducted the premiere of Giordano's Andrea Chenier at the Bavarian State Opera, where he had already conducted the new production of Mefistofele in 2015 (DVD Unitel, 2016). In November 2016, he conducted the Sächsische Staatskapelle Dresden in the world premiere of Sofia Gubaidulina's oratorio On Love and Hate.
Omer Meir Wellber's longstanding collaboration with the Semperoper Dresden culminated in his position as Principal Guest Conductor from 2018 to 2022, alongside his receipt of the Rudi Häussler Priz for contributions to the development of the opera house. As early as 2010 he conducted new productions and revivals of Aida, Ariadne auf Naxos, Daphne, the Da Ponte Trilogy, The Magic Flute, Grand Macabre, Guntram, Madama Butterfly, Nabucco, Rosenkavalier, Salome, and Tannhäuser. Symphony concerts with the Sächsische Staatskapelle were also part of the program.
During his time as Chief Conductor of the BBC Philharmonic, Omer Meir Wellber achieved highlights such as concerts at the BBC Proms, Bridgewater Hall, and guest concerts at the Schleswig-Holstein Music Festival. Wellber also hosted a conversation video series with the BBC named The Music Room: the first series focused on Beethoven’s 9 symphonies in 2020, before turning to Ben-Haim for a second installment (The Music Room: Discovering Ben-Haim).
Omer Meir Wellber served as the Music Director at the Palau de les Arts Reina Sofia in Valencia from 2010 to 2014, leading both orchestral and operatic performances – one of the most remarkable, Eugene Onegin, was published on DVD by C Major. He conducted Verdi’s operatic masterpiece trifecta – Rigoletto (2011), La Traviata (2012) and Il Trovatore (2013) at the Vienna Festival.
From 2008 to 2010, Omer Meir Wellber assisted Daniel Barenboim at the Berliner Staatsoper Unter den Linden and at Milan’s Teatro alla Scala, directing the Scala in a critically hailed performance of Verdi’s Aida at the Israeli Opera. In 2010, he also stepped in for Seiji Ozawa, conducting Strauss’ Salome at the Saito Kinen Festival in Matsumoto.
Omer Meir Wellber’s close ties to his native Israel are evident in his collaboration with the Raanana Symphonette Orchestra, of which he has been Music Director since 2009. The orchestra dedicates itself to developing traditions of Jewish music, promoting contemporary Israeli music, and curating music education projects which reach more than 70,000 children each year. For over a decade he was regular guest conductor at the Israeli Opera where he conducted performances of Verdi’s La Forza del Destino, Puccini’s Turandot and Madama Butterfly, Donizetti’s L’Elisir d’Amore, Mozart’s The Magic Flute, Gounod’s Faust and Janacek’s The Cunning Little Vixen, among others. In 2007 he debuted with the Israel Philharmonic Orchestra and in 2016 led the orchestra in its residency at the Dresden Music Festival.
The conductor is a Good Will Ambassador for Save a Child’s Heart, an Israeli-based non-profit organization that provides critical cardiac medical healthcare. In addition, Omer Meir Wellber collaborates with various institutions through outreach programs and fosters the next generation of conducting students through educational lectures.
Born in Be’er Sheva in 1981, Omer Meir Wellber began studying the accordion and piano when he was five years old. He took composition lessons with Tania Taler from the age of nine before continuing under Michael Wolpe until 2004. After graduating from the Be’er Sheva Conservatory in 1999, he received a music scholarship from the America-Israel Cultural Foundation which he used to study Conducting and Composition at the Jerusalem Music Academy from 2000-2008 with Eugene Zirlin and Mendi Rodan.
Omer Meir Wellber plays a custom-built accordion, model POLARIS, from the renowned Italian accordion manufacturer PIGINI.
Omer Meir Wellber is dressed by Giorgio Armani and Bulgari.
Among her engagements for 2024-2025:
The role of "Das Ungeborene" in "Alma", a new opera by Ella Miller Sheriff at Volksoper Vienna, Schönberg's Pierrot Lunaire on a tour in USA & Canada, Concerts with the Israel Philharmonic Orchestra and Manfred Honeck, Concert of music by Maria Herz in 'Shalom' Festival Cologne, Cabaret Concert with Israel Sinfonietta Beer- Sheva, Gala open-air concert in Ingolstadt and more.
In sesaon 2023-2024 she sang Betty Olivero's 'Many Waters' with the Israel Philharmonic Orchestra in Berlin Philharmonie & Konzerthaus Dortmund, Mozart Requiem in Teatro dell'Opera di Roma, Beethoven Symphony No.9 with the Wiener Symphoniker on a tour to Taiwan, Pergolesi Stabat Mater with Israel Camerata Orchestra & Festival Liturgical in Nazareth, Concert with Jerusalem Quartet in Theater St.Gallen, Ligeti’s Mysteries of the Macabre & Schönberg’s Brettl- Lieder with Orchestre de Chambre du Luxembourg.
In season 2022-23 she sang the roles of Miranda (La Tempesta) in Wexford Festival, Violetta (La Traviata) in Volksoper Vienna and Staatstheater Darmstadt, Ligeti’s Mysteries of the Macabre & Schönberg’s Brettl- Lieder with Luxembourg Chamber Orchestra, Betty Olivero's Many Waters with the Israel Philharmonic Orchestra, Oded Zehavi's Evening Passion with Israel Chamber Orchestra, Concerts with Jerusalem Quartet in Leer Festival and Wigmore Hall in London.
In season 2021-22, she sang the roles of Susanna (Le Nozze di Figaro) at Semperoper Dresden, Violetta (La Traviata) at the Israeli Opera, Frasquita (Carmen) at Teatro Massimo in Palermo, Mahler Symphony No.4 with Filarmonica Arturo Toscanini in Parma and concerts with the Jerusalem Quartet at Tonhalle Zürich, Heidelberger Frühling and Vancouver.
In season 2019-20, she sang a role debut of Gepopo/Venus in Ligeti’s Opera ‘Le Grand Macabre’ at Semperoper Dresden in a new production conducted by Omer Meir Wellber and directed by Calixto Bieito, the role of Ilia (Idomeneo) conducted by Michele Gamba at the Israeli Opera. She sang with the Munich Philharmonic Orchestra Ayal Adler’s ‘Alone, I return from the night’, Berg’s Sieben Frühe Lieder with The Jerusalem Symphony Orchestra, and joined the ‘Jerusalem Quartet’ in a CD tour of 'The Yiddish Cabaret' which was released by ‘Harmonia Mundi’. Among the performed venues: Theatre des Champs-Elysées, Wiener Konzerthaus, Elbphilharmonie Hamburg, Gewandhaus in Leipzig and Dresden Philharmonie.
At the Israeli Opera, she sang the roles of Lucia (Lucia di Lammermoor), Juliette (Roméo et Juliette), Susanna (Le Nozze di Figaro), Gilda (Rigoletto), Oscar (Un Ballo in Maschera), Musetta (La Bohéme), Tytania (A Midsummer Night’s Dream), Micaëla (Carmen), Norina (Don Pasquale), Adina (L’elisir d’amore), Marie (La Fille du Régiment), Pamina (Die Zauberflöte), Euridice (Orfeo ed Euridice), Rosina (Il Barbiere di Siviglia), The Vixen (The Cunning Little Vixen), Lisette (La Rondine), The Child (The Child Dreams), Despina (Cosi fan Tutte), Olympia (Les Contes d’Hoffmann), Frasquita (Carmen), Papagena (Die Zauberflöte), Lucinde (Armide), First Nymph (Rusalka) and Parteonis (La Belle Hélène).
She sang Musetta (La Boheme) at ‘Semperoper Dresden’ with Maestra Speranza Scappucci, Oscar (Un Ballo in Maschera) at Opera National de Lorraine in Nancy, Grand Théâtre de Luxembourg, Angers-Nantes Opéra & Opéra de Rennes in France, Giulia (La Scala di Seta) at The Rossini Opera Festival in Pesaro, The vixen (The Cunning Little Vixen) at The Bergen National Opera, The Child (The Child Dreams) at Wiesbaden Maifestspiele, Olympia (Hoffmanns Erzählungen) at the Landestheater Mecklenburg.
Among her Concert performances: Schönberg’s Pierrot Lunaire in Berlin with Daniel Barenboim as well as with The Israeli Chamber project in a tour in Israel and the US, Ayal Adler’s ‘Alone, I return from the night’ with the Munich Philharmonic Orchestra with Omer Meir Wellber, Mahler’s Symphony 8 at Dresdner Musikfestspiele and Bernstein’s ‘Kaddish’ with The Israel Philharmonic Orchestra, Mahler's Symphony No. 2 with ONPL and Pascal Rophé and Rishon LeZion Orchestra with Dan Ettinger, Brahms’ Requiem with the Valencia Orchestra in Palau de les Arts and Omer Meir Wellber, Gala Concert with The Israel Philharmonic Orchestra and Zubin Mehta, Mozart’s Mass in C minor with Mexico Philharmonic Orchestra, Haydn's Die Schöpfung, Mahler’s Symphony 4, Mozart’s Requiem, Mendelssohn’s Elijah and Bach’s Matthäus Passion with the Jerusalem Symphony Orchestra.
Hila performed under the baton of distinguished conductors such as Daniel Barenboim, Frédéric Chaslin, Daniele Callegari, Rani Calderon, Dan Ettinger, Asher Fisch, Michele Gamba, Alexander Joel, Zubin Mehta, Corrina Niemeyer, Daniel Oren, Pascal Rophé, Speranza Scappucci, Lahav Shani, Omer Meir Wellber, and others.
Hila shares her experience and knowledge of singing technique and performing with young singers. She is teaching privately and was invited to give Masterclasses for institutions such as Conservatoire de la Ville de Luxembourg, ‘Program for outstanding singers’ in Jerusalem Music Center and Jerusalem Academy of Music.
Hila was a member of The Israeli Opera Studio. Her extensive career has gained her many prizes including 2nd prize in the operetta category at the International Hans Gabor Belvedere Competition in Vienna, Israeli Minister of Culture Award, Rosenblum Prize for the performing arts, Silverman Prize, Grabov Award, Basser Award, America-Israel Cultural Foundation, Israel Vocal Arts Institute Foundation.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
At the New Year's Eve concert, the Hamburg Philharmonic State Orchestra and its General Music Director Omer Meir Wellber will present a bizarre and dazzling mixture of virtuoso vocal artistry, imaginative tonal language and humorous expressiveness. More is not yet revealed, except:
„Psst! Pspsst!
Pspspsst! Schscht!
Ko! Koko! Kokokoko! Kokoko! Kokode zero!
Oh! Kococode Zero Zero: höchste Geheimnisstufe!
Zero, Zero!
Kommen Störche!
Dabeljusi! Krokodil groß!
Menge, Menge, Menge!
[Kaiserschmarrn!]
Vo-vo-vo-volksmenge!“
Venue: Elbphilharmonie, Grand Hall, Platz der Deutschen Einheit 4, 20457 Hamburg
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