Sun, Mar. 29, 2026, 11.00 am | Elbphilharmonie, Grand Hall
TIME PLAY SEVEN: WOLFGANG AMADEUS MOZART / SALLY BEAMISH: Sinfonia concertante in E flat major KV 364 (320d) I. Allegro maestoso / II. Andante (transcription by Sally Beamish, premiere) / III. Presto (transcription by Sally Beamish, premiere)
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Hector Berlioz: "Symphonie fantastique" op. 14
Dirigent: Aziz Shokhakimov
Violine: Konradin Seitzer
Viola: N. N.
Philharmonisches Staatsorchester Hamburg
Aziz Shokhakimov is Music Director to Orchestre Philharmonique de Strasbourg and Artistic Director to Tekfen Philharmonic Orchestra. During 2015-2021 he held the position of Kapellmeister to Deutsche Oper am Rhein. His guest conducting has included orchestras such as Symphonieorchester des Bayerischen Rundfunks, NDR Elbphilharmonie Orchester, WDR Sinfonieorchester Köln, Orchestre Philharmonique de Radio France, and hr-Sinfonieorchester. In North America, he has conducted Houston, Utah, Toronto and Seattle symphony orchestras.
Upcoming engagements include Atlanta Symphony Orchestra, Dallas Symphony Orchestra which will include the world premiere of Andrew Norman’s Trombone Concerto, and Seattle Symphony. He will also return to the Bergen Philharmonic Orchestra, Gulbenkian Orchestra and Sinfonieorchester Basel amongst others. Following their recent success at the Paris Philharmonie, Aziz Shokhakimov will return with the Orchestre Philharmonqiue de Strasbourg which will include Prokofiev Symphony No.5. Recent season highlights include Wiener Symphoniker, Orchestre della Suisse Romande, Swedish Radio Symphony, RAI Turin, Tokyo Symphony and Seoul Philharmonic.
Aziz Shokhakimov is equally prolific in the operatic repertoire. The 2023/24 season saw his debut at Bayerischer Staatsoper conducting Tchaikovsky’s Pique Dame, where he will also return in 2024/25 to conduct Donizetti’s Lucia di Lammermoor. In 2023/24 he made his debut with Opera National de Paris with Lucia di Lammermoor. As part of his tenure with Orchestre Philharmonique de Strasbourg, he has conducted a new production of Wagner’s Lohengrin at Opera du Rhin. As Kapellmeister at Deutsche Oper am Rhein he conducted a new production of The Queen of Spades, Madame Butterfly, Salome and Tosca among others.
Together with the Orchestre Philharmonique de Strasbourg, Aziz Shokhakimov has released two recordings on Warner Classics. In 2024, they released Prokofiev Symphony No.1 and Suites No. 1&2 Romeo and Juliet, and in 2023 Tchaikovsky Symphony No.5 and Romeo and Juliet Fantasy Overture. Concerts with the orchestra and Shokhakimov are also frequently broadcast on Medici.TV, including Brahms’ A German Requiem and Verdi Requiem.
Shokhakimov has an ongoing relationship with Salzburg Festival where, having been selected from more than 100 candidates, he won the prestigious Salzburg Festival Young Conductors Award in August 2016. He returned to the Salzburg Festival in August 2017 for the prize-winner’s concert with RSO Wien and conducted the Opening Ceremony of Salzburg Festival with Patricia Kopatchinskaja in 2019.
Born in 1988 in Tashkent, Uzbekistan, Shokhakimov entered the Uspensky Music School for Gifted Children at the age of six, studying violin, viola and orchestral conducting (in the class of Professor Vladimir Neymer). At 13 he made his debut with National Symphony Orchestra of Uzbekistan, conducting Beethoven’s Symphony No.5 and Liszt’s Piano Concerto No.1. During the following year he conducted his first opera, Carmen, at the National Opera of Uzbekistan. He was appointed Assistant Conductor of National Symphony Orchestra of Uzbekistan in 2001 and became its Principal Conductor in 2006. In 2010, at the age of just 21, Shokhakimov won second place at the Gustav Mahler International Conducting Competition in Bamberg, under the auspices of the Bamberger Symphoniker. In 2023, he received the French critics’ prize ‘la personnalité musicale of the year’.
Konradin Seitzer, born in Aachen in 1983, began playing the violin at the age of four and enrolled at the age of 14 as a junior student in the class of Atila Aydintan at the Hanover Academy of Music and Theatre. He then continued his studies with Antje Weithaas at the Hanns Eisler School of Music in Berlin, from which he graduated with distinction in January 2009. He has appeared around the world as a soloist with orchestras including the Konzerthaus Orchestra Berlin, the Brandenburg State Orchestra in Frankfurt and the State Orchestra Rheinische Philharmonie, appearing at venues such as the Konzerthaus Berlin, the Glocke in Bremen and the Seongnam Arts Center in South Korea. In addition to his work as a soloist, Konradin Seitzer is also dedicated to chamber music and has given concerts with artists such as Robert Levin, Thomas Brandis and Ulf Hoelscher. Konradin Seitzer was previously First Concertmaster of the orchestra of the Komische Oper Berlin; since 2012 he has held the same position at the Hamburg Philharmonic State Orchestra. In 2015 he received the Eduard Söring Prize of the Foundation for the Support of the Hamburg State Opera.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
The Hamburg State Orchestra's Philharmonic Concerts become ZeitSpielen and transcend the boundaries of the ordinary: In this concert, Sally Beamish's compositional exploration of Mozart's rules will be heard - for the second and third movements of his Sinfonia Concertante will be replaced by new compositions from her pen, inspired by the original. We encounter Mozart today as a mirror of the past and at the same time, through Beamish, as part of the here and now! This musical play without fear of contact opens up new perspectives on our musical culture, our way of thinking and being, our way of receiving music.
“My work will certainly be “playful”, because Mozart is often very playful too, and I will have fun with the interaction between the two solo voices and between the soloist and the orchestra. Playing with musical ideas is at the heart of a composition - taking a fragment and seeing what you can do with it.” SALLY BEAMISH
Venue: Elbphilharmonie, Grand Hall, Platz der Deutschen Einheit 4, 20457 Hamburg
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