1st Academy Concert - Program III

Kent Nagano

Johann Sebastian Bach: Brandenburg Concerto No. 3 BWV 1048 G major

Ludwig van Beethoven: Piano Concerto No. 3 in C minor, Op. 37

Johannes Brahms: „Nänie” Op. 82 „Schicksalslied” Op. 54 „Gesang der Parzen” Op. 89

Dirigent: Kent Nagano
Klavier: Rafal Blechacz
Cembalo und Leitung J.S. Bach: Andreas Staier
: Hamburger Chöre
: Chor der KlangVerwaltung
Choreinstudierung: Christiane Büttig
Philharmonisches Staatsorchester Hamburg

Kent Nagano

General Music Director of Hamburg

Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. Since September 2015, he has been General Music Director of the Hamburg State Opera and Chief Conductor of the Philharmonic State Orchestra Hamburg. In addition, he is committed as Artistic Director of the Ring project “The Wagner Cycles” of Dresdner Musikfestspiele with Dresdner Festspielorchester and Concerto Köln, and as patron of the Herrenchiemsee Festival. 2023 he was appointed Honorary Conductor of the Philharmonic State Orchestra, in 2021 of the Orchestre symphonique de Montréal, in 2019 of the Concerto Köln, and in 2006 of the Deutsches Symphonie-Orchester Berlin.

The 2023/2024 season in Hamburg begins with four concerts, performing with the Philharmonische Akademie at the Laeiszhalle, then with the Philharmonic State Orchestra at the Rathausmarkt Open Air and the Elbphilharmonie. This will be followed by a series of opera productions at the State Opera in September and October, with a premiere of Mussorgski’s Boris Godunow in a production by Frank Castorf and a premiere of Strauss’s Salome in a production by Dmitri Tcherniakov, as well as performances of Sciarrino’s Venere e Adone and Britten’s Peter Grimes. Furthermore, as in every season Nagano will conduct symphonic concerts with the Philharmonic State Orchestra at the Elbphilharmonie, including the New Year’s performance.

His past years in Hamburg include opera productions such as Les Troyens, Lulu, Lady Macbeth von Mzensk, the world premiere of Stilles Meer and German premiere of Lessons in Love and Violence, the "Philharmonische Akademie" at St. Michaelis, open-air concerts at the Rathausmarkt and the world premiere of Pascal Dusapin's work Waves for organ and orchestra at the Elbphilharmonie. Orchestral tours with the Philharmonisches Staatsorchester Hamburg have taken Kent Nagano to Japan, Spain and South America.

Kent Nagano has worked with the world's leading international orchestras, including the Bavarian Radio Symphony Orchestra, the Orchestre Philharmonique Radio France, the Orchestre de l’Opéra national in Paris, the Chicago and Detroit Symphony Orchestra, the Finnish Radio Symphony Orchestra, and the Wiener Symphoniker. Special projects were productions of Wagner's Das Rheingold with Concerto Köln and the Bernstein opera A quiet place at the Paris Opera. His operatic work has included Dusapin‘s Il viaggio, Dante at the Festival d‘Aix-en-Provence, Hindemith's Cardillac and Poulenc's Dialogues des Carmélites at the Opéra National de Paris and Henze’s The Bassarids and the premiere of Saariaho's L’amour de loin at the Salzburg Festival. Other world premieres conducted by Nagano include Bernstein's A White House Cantata and the operas Alice in Wonderland by Unsuk Chin, Three Sisters by Peter Eötvös and The Death of Klinghoffer and El Niño by John Adams.

The 2023/24 season will see Kent Nagano make a wide variety of appearances at the Maison symphonique in Montréal, the Concertgebouw in Amsterdam, the Tonhalle in Zurich, the Philharmonie in Berlin, the Konzerthalle in Bamberg and the Kulturpalast in Dresden. In addition, he will conduct the Orchestre de l'Opera de Lyon and lead a new production of Ligeti’s Le Grand Macabre by Krzysztof Warlikowski at the Bavarian State Opera in Munich.

Under the artistic direction of Kent Nagano and the Intendant of the Dresdner Musikfestspiele Jan Vogler, Wagner's "Ring Tetralogy" will be performed in the artistic context of the period in which it was composed, based on the latest findings of research into Wagner and performance practice, and integrated into an extensive supporting program as part of the multi-year project "The Wagner Cycles" of the Dresdner Musikfestspiele from 2023 to 2026. The prelude was the performance of "Das Rheingold" at the Dresden Music Festival in 2023 and the tour to Cologne, Ravello and Lucerne under the musical direction of Kent Nagano. With "Die Walküre," the second work in the epochal narrative will follow in 2024.

Highlights of Kent Nagano's collaboration with the OSM as Music Director from 2006 to 2020 included the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011, performances of the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde and Das Rheingold, Honegger's Jeanne d'Arc au Bücher, and Messiaen's Saint François d'Assise. Tours have taken Nagano and the orchestra to Canada including the Northern Territories, Japan, South Korea, Europe (latest 2019), Latin America and the USA. In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM at the Salzburg Festival opening concert.

His recordings with the OSM on Sony Classical/Analekta include Mahler’s Orchestral Songs with Christian Gerhaher in 2013 and a complete recording of all of Beethoven’s symphonies in 2015. Decca released a recording of the North American premiere of L'Aiglon, a rarely performed opera by Honegger and Ibert in 2016, conducted by Nagano in 2015. Further releases by Decca are Danse Macabre with works by Dukas, Saint-Saens, Ives and others in 2016 as well as a recording of Bernstein's A quiet place in 2018 on the occasion of the composer's 100th birthday. John Adams' Common tones in simple time & harmony (Decca) was released in 2019, the Lukas Passion by Penderecki (BIS) and works by Ginastera, Bernstein and Moussa (Analekta) in 2020.

At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions included Mussorgsky's Boris Godunov and Khovanshchina, Strauss' Ariadne auf Naxos and Die Frau ohne Schatten, Poulenc's Dialogues des Carmelites, Messiaen’s Saint François d'Assise, Berg’s Wozzeck, George Benjamin's Written on skin and Wagner's Der Ring des Nibelungen. Tours took Nagano and the Bavarian State Orchestra through Europe and Japan. In addition to Bruckner's Symphonies Nos. 4 and 7 (Sony), Kent Nagano has released several opera performances with the Bavarian State Orchestra on DVD: Unsuk Chin's opera Alice in Wonderland (2008) and Mussorgsky's Chowanschtschina (2009) with unitel classica/medici arts, Dialogue des Carmélites with Bel Air Classiques (2011) and Lohengrin (2010) with Decca.

Another very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera) and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf’s Mörike-Lieder, Mahler’s Symphony No. 8, Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra – only the second recipient of this honour in their 60-year history. To this day he maintains a close friendship with the orchestra.

In October 2019, Kent Nagano and Mari Kodama expanded their joint recordings of Beethoven's works for piano and orchestra with Beethoven's Piano Concerto No. 0 E-flat Major WoO 4, a nearly unknown work from the composer’s youth, and his Rondo for Piano and Orchestra WoO 6 with the Deutsches Symphonie-Orchester Berlin. The complete edition of Beethoven’s piano concerti was released on the Berlin Classics label.

Nagano was awarded Grammys for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Prokofjew’s Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin. He has worked with labels such as BIS, Decca, Sony Classical, FARAO Classics and Analekta for many years, and has also recorded CDs with Berlin Classics, Erato, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi.

To celebrate Kent Nagano's 70th birthday in 2021, a 3-CD box set of works by Olivier Messiaen was released in October on the BR Klassik label. The release includes live recordings of the works Poèmes pour Mi, Chronochromie and La Transfiguration de Notre Seigneur Jésus-Christ from his concerts with the Symphonieorchester und Chor des Bayerischen Rundfunks, demonstrating Nagano's close familiarity with Messiaen's musical language in a special way.

In September 2021, Kent Nagano published his second book with Berlin Verlag. In "10 Lessons of my Life", he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser.
In 2015 Kent Nagano published "Erwarten Sie Wunder!" also in Berlin Verlag, a passionate appeal for the relevance of classical music in today's world. In 2019 the book was released in English by the Canadian McGill-Queen's University Press under the title ″Classical Music - Expect the Unexpected" and in 2015 under "Sonnez, merveilles!" in French by Éditions du Boréal.

Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2009. His first major successes came with the Boston Symphony Orchestra in 1984, when Messiaen appointed him assistant to conductor Seiji Ozawa for the premiere of his opera Saint François d'Assise. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000). Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years.

Kent Nagano was awarded an honorary doctorate from McGill University in Montréal in 2005, an honorary doctorate from the Université de Montréal in 2006, and an honorary doctorate from San Francisco State University in 2018. Since 2017, Kent Nagano has been a "Compagnon" of the "Ordre des arts et des lettres" of Québec and in the fall of 2023, Kent Nagano was also awarded the title of "Chevalier" in the "Ordre des art et des lettres" of France. In February 2024, Kent Nagano was awarded the Order of Merit of the Federal Republic of Germany by the Federal President.

Rafal Blechacz

Piano

Since his victory in the 15th International Chopin Piano Competition in Warsaw in 2005 Rafał Blechacz has since established himself firmly on the international concert scene and is recognised as his generation’s greatest performer of Chopin’s works. The Polish pianist is celebrated by both the audience and the press worldwide for his profound and virtuosic interpretations. Furthermore, he is the winner of the prestigious Gilmore Artist Award in 2014 – an award given every four years to a distinguished, extraordinary concert pianist regardless of age or nationality.
Blechacz has performed with renowned orchestras such as the London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Orchestre de Paris, Deutsches Symphonie-Orchester Berlin, hr-Sinfonieorchester Frankfurt, Die Deutsche Kammerphilharmonie Bremen, Mahler Chamber Orchestra, ORF Radio-Symphonieorchester Wien, Camerata Salzburg, Rotterdam Philharmonic Orchestra, Orchestra dell'Accademia di Santa Cecilia, Tonhalle-Orchester Zürich, Minnesota Orchestra, Detroit Symphony Orchestra and Orchestre symphonique de Montréal. He gives recitals in the world’s major concert halls including Philharmonie Berlin, Prinzregententheater Munich, Konzerthaus Dortmund, Salle Pleyel in Paris, Wigmore Hall London, Concertgebouw Amsterdam, Teatro alla Scala Milan, Wiener Konzerthaus and BOZAR – Palais des Beaux-Arts Brussels, as well as further afield in the USA and in Asia.
Blechacz is an exclusive recording artist of Deutsche Grammophon. His debut recording of Chopin´s Préludes won the Platinum Record status in his native Poland, as well as a German ECHO Klassik and French Diapason d’Or award. His recording of both Chopin concerti with the Concertgebouworkest under the baton of Jerzy Semkow was awarded the ‘Preis der Deutschen Schallplattenkritik’. In 2012, his recording of works by Debussy and Szymanowski was released and awarded ‘Recording of the Month’ by the Gramophone magazine and ‘Solo Recording of the Year’ by ECHO Klassik. Further albums with polonaises by Chopin or works by Bach as well as his duo album with the violinist Bomsori have delighted listeners and the press alike in recentyears. Blechacz´s latest recording was released in March 2023. With works by Frédéric Chopin, he once again dedicated this recording to the composer who shaped his career like no other.
Born in 1985, Blechacz began his studies aged five, continuing his piano education in the Arthur Rubinstein State School of Music in Bydgoszcz. In 2007, he graduated from the Feliks Nowowiejski Academy of Music in Bydgoszcz, the piano class of Professor Katarzyna PopowaZydroń. In 2016, Rafał Blechacz received his doctorate in music philosophy.

Andreas Staier

"Staier played the instrument with such a wealth of colors, so expressive, cantabile, sometimes profound, rumbling, or even introverted."
The pianist Andreas Staier first became world famous as a harpsichordist. After studying with Lajos Rovatkay and Ton Koopman, he worked for three years with the Musica Antiqua Köln. But Staier is far more than a virtuoso representative of so-called historical performance practice. Rather, one could describe him as a passionate sound seeker. Each work that the pianist undertakes is not only analyzed in terms of its structure, but also explores the historical situation in which it originated. Through his meticulous approach, he has opened up completely new interpretive approaches and made surprising listening experiences possible. This is why he also works with instrument makers to explore special nuances of sound – be it works of the 16th century such as the English virginalists, Bach's Goldberg Variations, the Diabelli Variations of the late Beethoven or the last piano works by Brahms. Staier has also always turned to lesser known composers when he could discover original aspects in their works, such as Sebastián de Albero or Josef Antonín Štěpán.
His commitment does not end with the music of the 19th century. This is shown by Staier's collaboration with the French composer Brice Pauset (b. 1965) from whom several compositions have been commissioned. The Kontra Sonata (2000), a hybrid of Schubert's Sonata in A minor D 845 and Pauset's Kontrakompositionen is a prime example of Staier's epoch-crossing musical thinking. Staier himself used the time during the Corona Pandemic to finish his composition Sechs Cembalostücke which he puts in connection with Bach’s Preludium and Fugue E Major of the Well-Tempered Clavier Book 2. The work was premiered at the Philharmonie in Cologne in January 2023, will be published by Editions Lemoine, and will be released by Outhere Music in 2024.
All this is documented on numerous recordings, almost all of which have received prestigious awards. Staier himself has often been honored for his work. He was Artist in Residence at the AMUZ in Antwerp from 2012-2016, and between 2011 and 2021 at the Opéra de Dijon.
Whether at the harpsichord or the fortepiano, Staier performs at numerous renowned music festivals worldwide with ensembles such as the Freiburger Barockorchester, Concerto Köln, the Akademie für Alte Musik Berlin or the Orquestra Barroca Casa da Música Porto with which he recorded À Portuguesa with works by Spanish composers for harmonia mundi in October 2018. For the Beethoven jubilee, Staier presented his album Ein neuer Weg - Beethoven, based on the three op. 31 piano sonatas and the variations 34 and 35, which received rave reviews. His recording of the Well-Tempered Clavier Book 2 is considered a reference recording, and he has since released Book 1. Together with Roel Dieltiens he also released Beethoven's Cello Sonatas op. 102 and the Bagatelles op. 119 & 126.
Longtime musical partners include the pianists Alexander Melnikov, Christine Schornsheim and Tobias Koch, the violinists Isabelle Faust and Petra Müllejans or the tenor Christoph Prégardien. Andreas Staier maintains a close collaboration with Daniel Sepec and the cellist Roel Dieltiens, with whom he has performed well-known compositions for piano trio since 2010. The trio released an album of the Schubert piano trios in 2016.
Staier's extensive interests and abilities have made him a much sought-after educator from an early age. In addition to masterclasses worldwide, he was Professor of Harpsichord and Fortepiano at the Schola Cantorum Basiliensis from 1987-1995. During the 2017/18 season, Andreas Staier was a Fellow at the Wissenschaftskolleg zu Berlin.
For several years, Andreas Staier also has been performing as a conductor and orchestra leader.

Philharmonisches Staatsorchester Hamburg

Orchestra

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.

Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.

The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.

In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.

The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.

The 1st Academy Concert, which will be given in three (slightly) different programs, is all about Hamburg: the Philharmonic State Orchestra plays under the direction of chief conductor Kent Nagano and together with various choirs from the Hanseatic city. With Johann Sebastian Bach, Ludwig van Beethoven (Program I+III), Johannes Brahms and Wolfgang Amadeus Mozart (Program II), four grand masters of music history place the music pen in each other's hands. As different as the times and epochs in which they worked were, they were united by great virtuosity, contrasting expressive quality and the constant search, finding and reinventing of their own musical language. With three slightly changing programs, four equally different and ingenious tonal languages find their way into the Great Hall of the Elbphilharmonie.